NEW: Pre-Code Horror Comics Original Art Edition

precode-horror-comics-original art edition
Pre-code Horror Comics: Original Art Edition is now on sale.  This art book is new for 2024 and features 126 pages of pre-code comic book content rarely if ever seen in print.  12 original art comic book stories from artists like George Roussos, Eugene Hughes, Robert Webb, Bob Powell, Sid Check, and more.
Pre-Code Horror Comics Original Art Edition contains many original art comic book covers and their final full color published versions along with some preliminary black and white and color sketches that show the “step by step” creation of memorable pre-code horror cover art!  Golden age comics masters including Warren Kremer, Lee Elias, John Chilly, Bernard Baily, and L.B. Cole, to name a few.
Last but not least,  you will see a few rare, UNPUBLISHED pre-code horror comics covers in print together for the first time anywhere!  This is a large format book of original precode art stories, sketches, and covers edited by Mike T. Lyddon.  The first printing is limited to 100 signed and numbered copies.

Only $14.95 + Shipping!
Buy it now:  U.S. Customers   United Kingdom    Canada    Australia

Buy it on EBAY 

Satisfied Customers
“A truly beautiful book!! Lovingly put together and a bargain!!”
“The book is awesome and at a very fair price”
“Awesome book, thank you!”
“Great collection of stories and art.”

Some more examples from the book:
precode horror comics original art edition - death sentence story by sid check

 

Harvey HORRORS Black Cat MYSTERY Pre-code Comic Book series vol 1 August 1951

Harvey HORRORS Black Cat MYSTERY Pre-code Comic Book series vol 1 no 30 August 1951 – PART ONE

harvey-horrors-black-cat-mystery-30
Harvey Horrors presents the Black Cat Mystery series of pre-code horror comics in volume 1 from PS Artbooks. This Volume covers issues 30 through 34 and today we are going to be looking at issue number 30 from August of 1951.
Watch the original video here.

Black Cat Origins

Before it became Black Cat Mystery it was simply called Black Cat the darling of comics. Why you ask? In the 1940s, Black Cat was a masked female crime fighter living in Hollywood California and that series was very popular for years. It lasted issues 1 through 29 and in 1951 as every other publisher was turning to horror, crime, and science fiction so was Harvey.
The transition from Black Cat darling of the comics to Black Cat mystery Comics. With Black Cat Comics number 29 they had already started transitioning into the Black Cat mystery horror comics.

Note the header “Strange Tales of fear and Terror,” Black Cat with Mystery comics in small type below it. And of course the image depicting Black Cat all tied up. Yes another classic Black Cat bondage cover with a threatening witch taunting her.

First Man on Mars sci-fi horror movie

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Black Cat Action Becomes Horror

We have an introduction by Peter Crowder of PS art books. Harvey Horrors presents strangest Tales of fear and Terror – Black Cat mystery volume 2. This is prepping everybody for volume two which was about to come out and of course there are five volumes in all.

On the right this is the cover to issue number 30 August of 1951 and you will see that indeed Black cat, our female crime fighter is still on the cover but she’s now being menaced by these mutant creatures including this one insect-like creature which inexplicably has a human head.

This is the last time we see Black Cat on the cover of Black Cat mystery. The cover is by Lee Elias who also drew a lot of the Black Cat comics in the 1940s. Here are some rather amusing ads for cute animal comic books from Harvey. Rags rabbit, little Max, Chick Young’s Daisy and her Pups.

Black Cat Speaks

black cat speaksOn the index page the Black Cat speaks. “That’s right all of you lovers of Terror packed weird and exciting Adventure! Black Cat reaches a new high in Mystery and horror. You’ll be seeing me in stories more thrilling and more terrifying than ever before.”
“I won’t appear in all of the amazing accounts myself but each one of them is a story I want you to share with me because I found it exciting. Chills will race up and down your spine as you read these strange unbelievable Tales of fear and Terror! Your imaginations will be fired by the snarling monsters, blood thirsty Ghouls, and brutal mind-buckling criminals. The book is all new! All different! Every page is colorfully crammed with dripping suspenseful episodes that will thrill you. Join me in my new book Black Cat mystery!”
We have the various tales that are in this issue number 30. The Thing from the Grave, No Werewolf must kill, Gateway to Death.

Roadmaster Bike Ad

Here is another ad: “Ride Roadmaster, the only bike with bumpers!” That’s Roadie Roadmaster. A very sharp looking bike. 1951, folks, you know when bikes and cars actually had style.

END PART ONE – Watch the original video here.

Jim Steranko COMIXSCENE 3-ALL HORROR Comics Issue-March 1973 Supergraphics-PART ONE

Jim Steranko COMIXSCENE 3-ALL HORROR Comics Issue-March 1973 Supergraphics-PART ONE

comixscene 3 horror comics issueJim Steranko’s Comix Scene issue number three, March 1973, the all horror issue.  Comixscene was Jim Steranko’s publication through Supergraphics and it lasted six issues from 1972 to 1973 before becoming Mediascene.   Mediascene picked up with issue number seven in 1973 and went until 1979. In 1980, Steranko launched Preview Magazine. Preview ran from 1980 to 1994.
Watch the original video.

Contents of Comixscene Number Three

Comixscene #3 showcases the faces of fear from the thrilling 30s to the scary 70s.  Werewolves, monsters, vampires, ghouls, zombies, the unliving and the undead. The horror characters and comics of yesterday, today, and tomorrow. I’ll wait to greet you on the pages inside. Plus more news, reviews, and articles than ever before! Special feature: Frogs – a nightmarish Parable told an exciting new comic format.
Steranko creates his first story in three years. A way-out experiment in form and content equal to an eight-page comic story. Enjoy!

First Man on Mars!

Just a reminder friends: my film First man on Mars is new on Blu-Ray loaded with extras and a chance for you to win one of two movie props used in the film! Please visit my website Horror Anthology Movies for further details. This blog is not monetized so any purchase you make helps keep the site alive. Thank you for your patronage.

Jim Steranko Introduction to Comixscene 3

Comixscene was definitely much more text oriented than Mediascene which we will be looking at in future episodes. That being said, the info inside is invaluable. In the editorial, Steranko begins by saying, “Take a good look around you and you’ll have to agree with this: horror comics are here to stay. The same trend that surfaced in the 1950s and 1960s has manifested itself again. This time more firmly entrenched in all popular media than ever.”

Comixscene contents

On the right side of the page, we have future histories of comics planned and a list of Super Graphics products you can order. On the right hand column are all staranko’s books including the History of Comics number two, a fantastic Steranko encyclopedia of superheroes.
Get all three books for seven dollars and fifty cents, folks!

Horror Comics and Comix on the Newsstand

Horror on the newsstand! We’re looking at Marvel, DC, and Indie Comics that had hit the newsstands in early 1973. I love that he starts off with an image of Richard Corbin’s FANTAGOR and he talks about it. It’s very interesting because the magazine is called Comixscene with an X and there’s always that talk of what’s the difference between Comics c-o-m-i-c-s versus comic c-o-m-i-x.

The Difference Between Comics and Comix

richard-corbenI think Richard Corbin sums it up very well in this quote. “There are all kinds of differences between the regular comics and the underground Comics. The first underground horror books were tongue-in-cheek parodies of old EC’S. Even now, most of the stories have a humorous intent. The most obvious differences to the Casual Observer are that the undergrounds are mostly black and white.

The artwork is sometimes amateurish and there is an emphasis on everything that is forbidden to the regular Comics. The Underground stories are usually creations of an individual and can be good or bad but are usually uneven. The overgrounds are assembly line efforts and are not good or bad but always even.”

Horror Comics in the Spotlight

Let’s take a look at some issues. As I said Fantagor, you have Swamp Thing on the scene, Vault of Evil, Werewolf by Night. I believe that is issue number six of Tomb of Dracula introduces Blade the Vampire Slayer. DC is on the scene with House of Mystery and House of Secrets and then of course we have Marvel with Supernatural Thrillers Issue 4 and issue number five which feature the Living Mummy.

Cultism versus Consumerism

bill-everettThere is a nice little obituary on the great Bill Everett by Steranko. Some book reviews here. Cheap Thrills an informal history of Pulp magazines by Ron Goulart. The golden days of fanzines. You have to love it. They mention Graphic story World which was very hot. Funny World was another really high-end fanzine.

Next is a very interesting article by Byron Priest called Cultism versus Consumerism. “The analysis in this article is based upon an association with the comics industry. It is not meant to be construed as the result of methodical research. Where do you buy your Comics? A candy store? All right, where else? A drugstore? Fine. A supermarket? Okay. Now let’s change just one word in our question. Where do you buy your comics with an X? The answers change too a head shop, a record store, and of course, through the mail. Comics and Comix. The difference is much more than just two letters and more than just the presence or absence of censorship. It’s a whole concept of cultism versus consumerism.

Comics and Comix Production and Distribution

The limited run Comics as opposed to the mass-produced superbooks of Madison Avenue. Comics are produced in the hundreds of thousands. Few Comix Reach This level. The companies behind the comix are growing ambitious and enterprising yet commercially impotent. There are many such Publishers currently in the business. Ripoff press, Apex, Print mint, La comics, and the crop comic works as well as a large number of Easy Come Easy Go outfits who spring up periodically. Unfortunately for these young entrepreneurs their main business Outlet continues to be mail order oriented. Small head shops from Boston to Milwaukee to Los Angeles send in requests for certain amounts of certain titles or large quantities of an entire line of comics and receive their order in the mail. With the Advent of Skull, Young Lust and Fantagor comix, undergrounds are moving towards some regularity in the frequency of publication but as a whole they are still sporadically released.”
Watch the original video.

END PART ONE
Thank you for reading and be sure to bookmark Ghost Clinic for more horror comics articles and videos!

Black Cat Mystery Number 31 Pre-code Harvey HORROR Comic Book August 1951

Black Cat Mystery Number 31 Pre-code Harvey HORROR Comic Book from August 1951.

Black Cat Mystery volume one from PS Artbooks contains issues 30 – 34. This article covers pre-code Harvey horror comic book Black Cat Mystery Number 31 from August 1951.
Watch the original Black Cat Mystery #31 video.

black cat mystery 31Cover art by Al Avison, interior art by Rudy Palais, Manny Stallman, and others. Features the stories The Tapping Doom, The Sea Witch of Sandy Hook, Bloody Red Rose, and more.
Black Cat Mystery Vol. One now on sale. 

Black Cat Mystery becomes a HORROR Comic

Black Cat Mystery Comics 29 with The Black Cat still on the cover
Black Cat Mystery Comics 29

Issue number 31 of Black Cat Mystery from  October of 1951 officially puts the comic book in the horror genre.  As it says on the cover, “The strangest Tales of fear and Terror.” The cover art is attributed to Al Avison. Inside front cover has an advertisement for Harvey’s “War is Hell.” Grim true Tales of our fighting men! Blasting action! Blood and Guts!
The Black Cat speaks but there is no image of Black Cat anymore. They’re gradually erasing her from the book. Here is the text. “Well you lovers of Terror packed weird and exciting Adventure! The new all different black cat mystery Comics is just what you asked for. We are gratified by your response to this new thrill book! In this issue there appears especially written for those who can take it, stories of the unknown, of fear, of revenge, webbing the pages into a tight-knit of horror are strands of mystery and terror! You will be entertained by a witch that can command ghosts, a thousand-year-old monster, and a cane that glows in the night and lights the way for death! Before You impatiently turn to the first story, read some of the letters you our readers have sent.”

Letters to the Editor

These are letters to the editor of Black Cat Mystery apparently about the previous issue, number 30.
“Weird! The stories in Black Cat are so weird that way after I read them I can feel my spine tingle when I think of them. Your book is not just another horror book, it’s the best I’ve ever read! I can’t wait for it to come out!”
“Chair gripping! The New Black Cat is so full of mystery and adventure that reading it is a chair gripping experience!”

Contents of Black Cat Mystery #31

black cat mystery 31 storiesTable of contents in this issue of Black Cat Mystery #31 include Tapping Doom, The sea witch of Sandy Hook, Blood red rose, and The sleep walking killer.
Another classic advertisement. Valuable ballpoint pen personalized with your name inscribed in 22 karat gold, only 25 cents plus one rapper from Peter Paul’s Almond Joy or Mounds.” From 1951, it’s a candy bar that has endured.
We start off this issue with bloody red rose art by Rudy Palais. I love these Stark color separations and the two-tone coloring. Here is a one-page Horror Story called “The Thing.”
and a coupon for eight brand new Walt Disney comic books all for 15 cents and one Wheaties box top! Next up we have The Tapping Doom with art by Manny stallman. Once again, great colors on this and the reproductions by PS art books are really quite good.
The third story in Black Cat Mystery 31 is “The Sea Witch of Sandy Hook” with art by Rudy Palais. To finish it off, we have another tale rendered by Palais titled “The Sleepwalking Killer.”

Full page subscription ad for Black Cat Mystery Comics

To polish things off, we have a full page ad to subscribe to Black Cat mystery comics and we can see that black cat herself is still hanging on at least for one more ad.
“You’ll want to keep a complete set of my exciting magazines! Terror-packed, exciting, weird! Yes now you can join the roster of regular readers who have each issue of black cat mystery Comics sent to their homes as soon as it’s off the press! Each issue hits a new high and spine tingling suspense and high riding action! Special introductory offer: 12 issues for a dollar!”
On the back cover we’ve got a nice one-page ad featuring Phil Rizzuto for “Wheaties, The Breakfast of Champions.”
This concludes our look at Black Cat Mystery issue number 31. next time we’ll take a look at issues 32, 33, and 34 of this volume. Please bookmark ghostclinic.com for more pre-code horror comic book articles.

Watch the original Black Cat Mystery #31 video.

Pre-code HORROR and Sci-fi Comics From WEIRD MYSTERIES Volume One – Pt Two

WEIRD MYSTERIES Pre-code Horror and Sci-fi Comics Volume One – PART TWO
The interesting thing about Weird Mysteries number one from 1952 is that all the stories in the issue were reprinted in Weird Tales of the Future number eight in 1953.  We’re looking at volume one of Weird Mysteries from PS Artbooks.

Watch the original video.

weird mysteries horror comicsWeird Mysteries Number One Contents

The first story called “High Voltage” drawn by Hy Fleischman and “The Planet Eaters” with art by Frank Frollo was also eventually reprinted in the 1953 issue of Weird Tales of the Future number eight. A Stone’s Throw from Eternity with art by Loffredo and The Spirits from Outer Space with art by Walter Palais and Mike Esposito doing the inks.
Nice ad here for Harvey Horrors. You can go to harveyhorrors.com PS art books. I’ve got several of their reprints of the Harvey volumes in soft cover.
This brings us to Weird Mysteries number two with one of my favorite Weird Mysteries covers by the fantastic Bernard Bailey, a phantasmagorical cover for this December of 1952 issue.
Artist Hy Fleischman returns and we also have Basil Wolverton art with the awesome Robot Woman. There is also Turnabout by Charles Stern, First Come First Served by Tony Mortellaro and Ordeal by Wax By Charles Stern.
Hey kids! Get your fifty Combat Action plastic toys for a dollar! And you get a free six inch long die cut shooting Cannon!

Basil Wolverton’s Robot Woman

weird tales of future 3Robot Woman by Basil Wolverton is such a great story. It’s a classic you’ve probably seen reprinted in various publications. The story revolves around a scientist who is hideous and he Longs for a woman that will be able to tolerate his hideous appearance. He makes a robot woman. “I’ve done it! I’ve created a woman of my own!” But of course some unfortunate drawbacks occur as the robot woman becomes very very enamored with her creator and he starts getting pissed off. He smacks the robot and ends up knocking her into a vat of acid. The next time he sees her she is completely melting and she says “You are the only man I could ever love!” He screams “Don’t come near me, you’re burned, you’re horrible!” Then a thief shows up to rob the place and he goes into the basement and discovers the woman. He says, “Get me the hell out of here!” All the while she’s saying “This is the only man I could ever love, you leave him alone or I kill!” The end. I love this Wolverton art, such a great story by a great artist who did some fantastic pre-code.

More Stories in Volume One Issue Two

There are a few other stories in volume one, issue two worth a read including “Turnabout” about astronauts who encounter giant ants on another planet as well as artist Tony Mortellaro’s “First Come, First Served.”
You can find these Weird Mysteries reprints by PS Artbooks on Amazon, their website, or Ebay.
Thanks for reading. You can watch the original video here.

WEIRD MYSTERIES Pre-code Horror and Sci-fi Comics Volume One – Part One

WEIRD MYSTERIES Pre-code Horror and Sci-fi Comics Volume One – Part One
weird mysteries precode horror comicsWeird Mysteries is a pre-code horror comic book published by Stanley Morris from 1952 to 1954.  Watch the entire video.
On the back of this slipcover edition we see all six issues represented in this volume.
All covers were done by the awe-inspiring Bernard Bailey, a giant in the golden age of comics who co-created The Spectre in 1939 with Jerry Seigel. The inside cover artwork by Tony Mortellaro is fantastic as well as the story this goes with. A fine introduction by James Heath Lance gets the ball rolling. I was in correspondence with Mr. Lance and he sent me some more information on his background working with PS art books.

James Heath Lance Introduction

weird mysteries volume two bernard baily cover“I started out volunteering articles for various websites and fanzines. My first paid gig was an essay co-authored with legendary comic scribe Roy Thomas in Roy Thomas presents Captain Video published by PS art books in April of 2012. The summer of that year I wrote PS art books editor Peter Crowder to discuss Dell’s Outer Limits and Twilight Zone comics and asked if he needed something for any books they were working on. He asked if I’d be willing to write the introduction for pre-code Classics Weird Mysteries volume one I said yes and was then assigned the second volume and Roy Thomas presents Sheena Queen of the Jungle volume 3. I just love the title Weird Mysteries and felt it was right up my alley. The thing I loved most about working on Weird Mysteries was the freedom PS art books gave me.
I don’t recall being given any editorial direction, a word count, or anything like that.
I did the research, read the comics, started writing and tapped into the horror fan in me. Peter Crowther apparently liked what he read because the published version is pretty much what I sent him with typos corrected.”

Here is the introduction by James Heath Lance.
“I dare you to read this introduction! Perhaps dare I you to write this introduction should be the proper question. Strange creatures tormenting people severed heads a brain being removed from a corpse an insect with a human face exiting from the skill and those are just the covers drawn by basil Wolverton and Bernard Bailey.” It could also be every time my wife and I encounter our neighbors or my Christmas list, but I digress.”

Weird Mysteries Artists for Volume One

He continues talking about the various issues and of course the background including the controversy generated by the pre-code comics horror comics and crime comics and of course the Senate hearings and the comics code Authority.

Weird Mysteries number one October of 1952. Artists in this volume include Hy Fleischman, Frank Frollo, Loffredo, Bernard Baily, Mike Esposito, Basil Wolverton, and Tony Mortellaro.
Watch the entire Weird Mysteries Part One video.

Weird Tales of the Future 8 Published by Stanley Morse in 1953

Weird Tales of the Future number eight originally published by Stanley Morse, July-August of 1953. Facsimile Edition and over-sized matted print published by PS art books.  Original video here.

weird tales of the future 8 facsilmile Today we are looking at a facsimile comic book of Weird tales of the Future number eight from July August 1953. It includes a fantastic over-sized matted cover of that issue. The artwork is by the awe-inspiring Bernard Bailey. Let’s see just how well P.S art books did singular facsimile copy of this rare pre-code horror comic book. I have various volumes by PS art books but I have never purchased a single issue facsimile. The oversized matted art print is excellent, they did a fantastic job on the reproduction. Needless to say, this is going on my wall very soon. Fantastic cover by Bernard Bailey, one of my favorite covers from the pre-code era. The reproduction is excellent. They also give you the information at the bottom of the print which reads “Weird Tales of the Future number eight, Aragon magazines Inc., July 1953. Art by Bernard Bailey. It all came very well packaged by Bud plant’s BudsartBooks.com. As far as the facsimile comic book, I have no complaints whatsoever. As you can see the front cover was reproduced very well and the back cover exactly the way the comic was originally published with all of the ads and everything.

Splash of Horror

Splash of Horror SOLD OUT!
Next issue in JUNE!

My new 64 page full color and black and white book about those gruesome and glorious rare pre-code horror comic book splash pages of the 1940’s and 50’s.  This terrifying tome features dozens of full color splash pages and fantastic black and white selections from Stanley Morse and the infamous Eerie Pubs helmed by Myron Fass.

The Pre-code horror comic book stories inside

bernard baily weird tales of the future pre-code comic book coverFirst up we have a story called High Voltage with pencils and inks by Hy Fleischman, an artist who did many stories for Stanley Morse’s Weird Tales of the Future, Weird Mysteries, etc.  Frank Frollo did the pencils and inks for The Planet Eaters while the next story, Death Takes a Holiday was penciled and inked by Nick Frank.

 

 

 

Vampire Legends at Sea

Next, there is an excellent section here called “Weird Mysteries” where they talk about various horrifying and creepy Legends and lore. They talk about vampire cases and here’s an excerpt: Sometime in the year 1867 a fishing boat sailed from Boston. One of the crew was a Portuguese who called himself John Brown. At Sea, two of the sailors mysteriously disappeared. The captain went into the hold of the ship and saw the body of one of these men in the clutches of brown who was sucking blood from it. Nearby, the bloodless body of the other sailor was found. Brown was tried convicted and sentenced to be hanged but the sentence was later commuted to life imprisonment. The story of this vampire appeared in the pages of the Brooklyn Eagle on November 4th, 1892.

Art by Mike Esposito and Lofredo

The next comic story is called A Stone’s Throw from Eternity with art by Lofredo. Once again,
I think the color reproductions are very well done, really Crisp. The Last Story the spirits from outer space pencils by Walter Palace and inks by Mike Esposito.
There you go folks, well worth it in my opinion. You typically expect to pay about 15 bucks for a good facsimile of a comic book and I would certainly pay 15 bucks for this really top-notch over-sized matted print of the cover. I hope you enjoyed this video on weird tales of the future number eight facsimile Edition by PS art books and this great matted print of the cover.

TALES Too TERRIBLE To TELL! Pre-code Horror Comic Book Stories and History from NEC

TALES Too TERRIBLE To TELL!  Pre-code Horror Comic Book Reprints, stories and history from New England Comics.
You can watch the original Tales Too Terrible To Tell video here.

The 1980s and 90s saw a resurgence of pre-code horror comic book reprints from a variety of small publishers. Today we look at NEC: New England Comics and Tales too Terrible to Tell. These are some of my favorite reprints for a variety of reasons.

Pre-code Reprint Quality

Tales too terrible to tell published all interior reprints in black and white which can be a turn off for some pre-code comics fans, however, the reprints in the issues i have are clean and sharp making the reading very enjoyable. More importantly, the crew of tales too terrible to tell led by editor George Suarez, art director Bob Polio, assistant editor Larry Boyd and research assistant Billy Devine made this publication much more than just a collection of pre-code horror comic book stories reprinted and thrown into a magazine.

A History of Pre-code Horror Comics

Inside each issue is a wealth of information about the comics artists writers and publishers making Tales too terrible to tell a must have for any pre-code horror comics enthusiast. Beside the reprinted comic book stories each issue has a section called Terrorology that dives into the nuts and bolts of pre-code publishers titles and artists. Suarez also published a companion magazine called Terrorology specifically designed to be an informative guide to pre-code comics. You can get many of these on ebay.

Horror Comic Book Covers

Additionally. Tales to terrible to tell features a gallery of classic horror covers in each issue showing the cover and talking about the artist with cool details about the particular issue. There is also a letters to the tombs section in the back of each issue with correspondence from fans which can be very entertaining.

Pre-code Horror Meets SWAMP THING

tales-too-terrible to tell BisetteI have issues one through eight and while most of the issues of Tales too terrible to tell have color reprints of great pre-code covers on their respective covers, issue number one and three have exclusive covers by the great Steve “swamp thing” Bissette. issue number one with the gloriously ghoulish zombie flesh rip-a-rama cover by Bissette was a specially numbered limited edition you can still get on ebay for around 20 bucks or so. Just make sure it’s the limited edition. A few years later they re-released issue number one without the Bissette cover and in its place the Jack Katz shrunken head cover originally published in issue number eight of Out of the Shadows in 1953.

Ben Edlund’s THE TICK

As a kind of strange extra, many of the issues feature early stories from ben edlund’s the Tick. NEC comics carried the Tick for a while so i imagine it was a kind of cross-promotional idea and apparently Mr. Edlund was a fan and supporter of the Tales too terrible to tell project. In summary if you are a true fan of pre-code horror comics you should get your claws on a set of tales too terrible to tell immediately. Highly recommended.
Watch this original video on the Horror Mike Channel.
This concludes part 3 of the series. As always, please like and subscribe. Thank you.

RARE Eerie Publications HORROR Cover Art Prints PLUS The Weird World of Eerie Pubs

Several years ago I was fortunate enough to get a hold of four prints that were taken off the original art used on Eerie Publications magazines including Tales of Voodoo, Terror Tales, Horror Tales and Weird.  There could have been some more but I think those were the prime issues they were using.
Publisher Myron Fass took pre-code horror comic book stories from the 1950’s and either reprinted, re-drew, or added blood and gore to the original artwork to print in these magazines.
The guy that owns the original art did a spectacular job as you can see doing these prints. The reproductions are fantastic. I tried to bring it up so you could really get a good look at it but it does cut off the top but as you can see the top is simply you know was reserved for the title like Terror Tales is gonna go up there so that’s kind of what we’re missing which is not much. This is for Terror Tales April of 1973.
The artist Bill Alexander who would do the mother-lode of art for the these horror magazines from Erie Publications.  In this scene a flying vampire woman that’s coming in menacing this poor half-naked girl in a cemetery and you’ve got this Green Ghoul down here pulling her into the ground while another vampire looks on.  He’s like “yeah, I’m coming in for some of that action too.” Now I’m going to show you how it turned out with the cover for Terror Tales and you will see… Continue reading “RARE Eerie Publications HORROR Cover Art Prints PLUS The Weird World of Eerie Pubs”

Summer Pre-code HORROR COMICS Movie MADNESS

WITCH TALES Summer of Sam EBAY BLU-RAY SALE!
Do you dare watch CHILLING TALES of TERROR taken from 1950s pre-code HORROR comic books in the vein of TALES FROM THE CRYPT taken from classic issues of Chamber of Chills, Haunted Thrills, and Mysterious Adventures horror comics!
See the indie horror film that critics have called “Spooky and Disgusting” HoTS and “An Enjoyable Romp with plenty of practical gore” RUE MORGUE!
Get the limited edition numbered blu-ray and a FREE signed HORROR ANTHOLOGY MOVIE DVD both signed by the director – producer for one incredibly low price with FREE DOMESTIC SHIPPING.
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